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October 19, 2007
Super Shrew
I've been meaning to blog about how great The Taming of the Shrew was in DC, but the week just got away from me.
I thoroughly enjoyed the show. It's a gorgeous production. Plus it's funny, as most productions of Shrew are. This production is even a bit romantic, which you don't always get with this difficult play. If you have a chance to see the show, I encourage you to do so. You aren't likely to get another opportunity to see a Shrew this good.
There are so many great moments in this production; I couldn't begin to list them all. There is one in fact that I won't detail because it would spoil the surprise. All I will say is that the text just indicates Petruchio is inappropriately dressed when he arrives for his wedding. It doesn't say what he is wearing, and it didn't prepare me for what Taichman and company did with the opportunity.
My favorite moment, however, is when Petruchio and Kate first meet. Kate walks by Petruchio and she literally slows down and turns back to have another look. It's a beautiful, romantic moment. I only wish I could have been watching Petruchio at the same time so I could have seen if he was equally smitten. It's a real "love at first sight" moment. I always thought the play needed that to make all that comes later believable.
The chemistry between Petruchio and Kate is palpable, which is another element I consider critical to the success of a production of Shrew. Plus, Christopher Innvar somehow makes Petruchio likeable, despite the way Petruchio bullies and manhandles Kate. Of course, it doesn't hurt that Innvar is so handsome.
Still, Petruchio manhandles Kate a little too much for tastes. But that's part of the play, and it's tough to get around. In this production, I found it a little odd to watch Petruchio best Kate physically because Charlayne Woodard, who plays Kate, has arm muscles like a bodybuilder. It kept reminding me of that scene in "What's Love Got to Do with It" where Ike is roughing up Tina, and Angela Bassett's muscular arms are shown off by her sleeveless top, and all I could think is "She could totally beat the daylights out of him! Why doesn't she?" Likewise, in this Shrew it was a little hard for me to believe that Petruchio could so easily out-brawl Kate. I kept waiting for her to punch him really hard right in the face. It might not knock him out, 'cause Petruchio's a big guy, but it would certainly stun him long enough for Kate to run away. But she doesn't, of course. I guess I could refer to my "favorite moment" above for a hint about why.
Kate's speech at the end is probably the toughest in the play. It's a real problem—especially for a female, maybe even feminist, director. But Taichman pulls it off.
I especially enjoyed how Petruchio handed Kate the money after winning the bet. It's a choice I recommended back in college when I wrote a paper on how to produce a feminist Shrew. I remember my professor called the choice "problematic." Whatever. I still believe the gesture is crucial to re-establishing balance between Kate and Petruchio, and showing that despite public appearances to the contrary they are equal partners in the game. Certainly, I'm not laying claim to the idea. I'm probably not even the first one who suggested it. But it was still lovely that this successful director, who I have come to admire so much, made one of the same choices I would have made. It was a little moment of personal validation for me.
This "Taming of the Shrew" is worth flying a thousand miles for. I'm certainly glad I made the trip. If I was still in DC, I'd go see it again.
Posted by Selena at October 19, 2007 11:52 PM